Planning, Building, and Living in the Last Soviet City: Slavutych 1986-2000
Research theme: Professionals, Expertise, and Planned Urbanity

Planning, Building, and Living in the Last Soviet City: Slavutych 1986-2000

facebook icon twitter icon email icon telegram icon link icon whatsapp icon

Eugenia Gubkina

2015-2018

The Soviet Union and socialist countries have a special chapter in the global history of new towns in the 20th century. One case in that chapter is "the last planned Soviet city" – Slavutych, built in from 1986 to 1989 in Soviet Ukraine. Yet Slavutych is more than the last planned city, or the last atomgrad. Rather, it was an attempt at rethinking what a new city could and should mean in a context of change and perestroika. On an everyday level, this new city was to become a new home for 30000 people impacted by and involved in managing the nuclear catastrophe at the Chernobyl Nuclear Plant. Slavutych, however, tells a larger story of socialist attempts to shape the built environment and society in a post-catastrophic context. This research project contributes to a larger story of the new types of cities in the 20th century. These cities had an unusual relationship to the past, marked by unprecedented, unexpected, and deadly disaster, and to the future, imagined not only as a place to live after incomprehensible catastrophe, but also as a place of radical beginnings.

Symbolically Slavutych was a radical rendering of the idea of friendship of people. Eight teams of architects and construction workers came from eight Soviet republics – Ukraine, Russia, Latvia, Lithuania, Estonia, Azerbaijan, Armenia, and Georgia--coordinated by the Institute of Experimental Urban Planning in Kyiv. The city was to become an embodiment of the ideal socialist universe, an important challenge given the recent disaster that undermined the legitimacy of the Soviet state, the belief in scientific progress, and high modernism. The resulting project that aimed to revisit the possibilities for the Soviet city was developed in two months across transnational, or rather trans-republican, space, and engaged with such concepts as eco architecture, vernacular and regional planning and design that challenged the repetitive structures of modernist housing estates, and "closed district layouts," kvartaly representing national typical styles from eight republics.

Exploring the ways the city was envisioned and constructed will revisit the end of the socialist period by tracing the ways future was imagined and built in the last Soviet city. How did disastrous urgency bring together multiple architectural discourses in a place that was in constant engagement with the modernist atomgrady, especially Prypiat, an award-winning city, yet one now doomed to decay? Moreover, how does disastrous urgency open new possibilities? Taking a bottom-up perspective, this research explores how architects designed living spaces in relation to work spaces. More broadly the case of Slavutych offers a comparison to other cities that interpreted both socialist and international discussions on new planned towns based on a growing criticism of modernist urban planning.

Related Publications, Presentations, Public Discussions

Ievgenia Gubkina, Lev Ševčenko: Sovětská architekturanaUkrajině. ERA21, no. 6, 2. 12., 2015, pp. 20–24.

Evgenija Gubkina Slavutych: Architectural Guide (English, Ukrainian and Russian Edition), Berlin: DOM publishers, 2015.

Ievgenia Gubkina. "Kiew SNIIEP. Das Kiewer Planungsinstitut", "Slawutytsch. Die letzte Planstadt der Sowjetunion", in: P. Knoch, H.M. Johenning, eds., Architekturführer Kiew, Berlin: DOM publishers, 2015: 179-251.

Ievgenia Gubkina. "Female Architects in Modernist Movement in Ukrainian SSR in Between Ideology and Reality", presentation at the IV International Scientific Conference "Gender Policy of Cities: History and Modern Times" organized by O.M. Beketov National University of Urban Economy, Kharkiv, Ukraine, October 6-7, 2015

Ievgenia Gubkina, "On the Edge of Imagining: Planning and Building the Last New Soviet City Slavutych", presentation at the international conference "Cities of a new type. Industrial Cities in Socialist Countries after 1945," Pepper Art Projects in College of Dunaujvaros, Dunaujvaros, Hungary, May 21 -22, 2015

Image: Building Slavutych, 1988, aerial view, Slavutych and Chornobyl Nuclear Power Station Museum.


Other research projects


Other research focuses

Cities, Wars, and Recoveries in 20th Century Eastern Europe

Cities, Wars, and Recoveries in 20th Century Eastern Europe

This focus incorporates the history of the cities and towns in the eastern parts of Europe, both on and behind the front lines, during periods of belligerence and post-war recovery.

Details
Documenting Experiences of War

Documenting Experiences of War

We have involved our capacity and expertise to document the experiences of Russia’s full-scale invasion of Ukraine as historical and/or legal evidence, but also as a way to withstand the invasion.

Details
Public History and the City: Engaging and Reflecting the Pasts

Public History and the City: Engaging and Reflecting the Pasts

This focus brings together research on the forms, formats and multiple agendas in engaging with the past from urban perspectives and in urban settings.

Details
The Social City: Histories of Mobility, Status, Gender and Welfare

The Social City: Histories of Mobility, Status, Gender and Welfare

This research focus extends the established approaches to the history of modern Lviv, centered on the history of the formation of national communities, by addressing other categories of social divisions: gender, age, class, and group.

Details
Urban Cultural Infrastructures: Creators, Managers, Audiences in the Modern City

Urban Cultural Infrastructures: Creators, Managers, Audiences in the Modern City

This research focus aims to expand our understanding of the ways infrastructures shape creative culture in the modern city.

Details
Urban Heritages: Concepts, Practices and Legacies

Urban Heritages: Concepts, Practices and Legacies

This research focus incorporates several individual projects, as well as initiatives in cooperation that analyze heritage both as a set of concepts, discourses, and practices, as well as institutional and discursive frames.

Details