On 31 March 2011 at 6pm in the Conference Hall of the Center for Urban History (Academica Bohomoltsia street, 6) Tadeusz Rolke’s presentation "Places" took place. The author talked about his works and creativity. The talk went along with the slideshow from his archives he have been collecting during his artistic career sincethe 1940s.
Tadeusz Rolke was born in 1929 in Warsaw and has been linked to this city till nowadays. He started photography during WW2 and took part in the Warsaw Uprising. He was conscripted to do forced labour in Germany. Rolkereturned to Warsaw in 1945, studied art history in the Catholic University of Lublin and later in Warsaw University. He worked as a pressphotographer for the magazines "Stolica," "Polska," "Przekrój," "TyiJa." In 1970, Rolke moved to Germany where he worked for the German periodicals "Stern," "DerSpiegel," "DieZeit," "Art," and others. He was an official photographer of international photo festivalsin France, the Netherlands, Germany, Italy. In 1980, Rolke came back to Warsaw. Now he is also a lecturer at the faculty of journalism in Warsaw University and a member of the Union of Polish Photo Artists. He has been the author of many exhibitions.
Marek Grygiel on Tadeusz Rolke
[He] began to photograph in the 50's. It wasn't the most favourable period for the Polish photography. Especially hard was the first half of the decade with its domination of the socialist realism in visual arts. Photographic journalism being close to everyday life was subjected to censorship. Photographs in newspapers existed only as an extra to varnish the reality. Any attempts to surpass this conventionality were doomed to fail.Tadeusz Rolke was taking his first pictures with a simple German made camera Welta....
The political tensions of the late 60's, the events of March '68 and the invasion of Czechoslovakia by the Warsaw Pact armies caused that he had left Poland for the next decade and settled in Hamburg, Germany. In spite of very difficult beginings and hardships of exile life (for six years he wasn't allowed to come back to Poland) he didn't give up photography. He prepared in cooperation with the organisation "Action the Signs of Expiation" the exhibition which documented visits of young German people to some places known of atrocities comitted by Nazis during Second World War. This educational exhibition was presented in some of German towns. In Hamburg he realised series "Fischmarkt" about one of Europe's biggest fish marts. This series documented a very specific professional millieu, difficult to penetrate and hard to present properly with its atmosphere and problems of the people of this vanishing trade. This exhibition, which was warmly welcomed by German critics, was later also presented in Poland, after Rolke has received the new passport and could visit Poland again.
In 1980 he made the exhibition "Light Theatre" about important European theatre festivals like these in Nancy, the Fools Festival in Amsterdam and the Theatre of the Nations in Hamburg. In 1982 he has begun to contribute to the German "ART" magazine by publishing very personal documentation of the achievements of Polish and foreign artists. The other big exhibition of which Rolke was main originator and executor was the collective presentation called "Violence, Sex, Nostalgia". This controversial show was opened in 1989 in Stara Gallery ZPAF in Warsaw.
Critics remark that Tadeusz Rolke’s photos are dramatic for their humanism and focus on people’s life both in private and in public. In 2009, the jubilee exhibition contained 120 pictures, taken nowadays and back in the time of the Polish People’s Republic that have become the classics of Polish photography, presenting different topics, techniques, aesthetics and formats. "The exhibition is entitled in the way to show that photography is everything for me: a way of communication, panacea of all problems, a way of earning a living", says Rolke.