The rapidly developing field of visual culture studies is attracting growing interest from scholars in various fields: social sciences, humanities, and engineering. Scientists agree that understanding vision and visuality requires an interdisciplinary approach, and the knowledge gained should enrich each specific field of science. In general, it is common to distinguish between vision as a process related to human physiology and visuality as a field in which social and historical aspects shape the ways of seeing (such as a city gallery, a cinema, or a microscope) and vice versa, how vision (such as images of war) affects the community and structures of the social.
Cultural forms of vision and visuality are attracting more and more attention from researchers, especially as the number of cameras, screens, and images in modern cities is growing, and it is important to consider and understand the historical roots of these phenomena. Visual methods are increasingly being used in contemporary urban studies, and the data obtained highlight influential aspects of the interaction of agents, serve as documents that testify to specific practices or significant histories. The development of modern visual research methods is also determined by technological means, both hardware and software.
Within this research focus of the Center, we implement projects in the field of visuality (including the history, phenomenology, and philosophy of images) and archiving of visual media. We analyze the changing historical position of the observer, study the apparatuses of visual practices, and focus on the corporatization and materiality of visual culture. All these aspects are important for urban history and how the city and life in the city have been historically imagined. In addition, our research focus covers the aesthetics of visual form and its historical impact on the perception of the subject, considering aspects of phenomena such as copy, reproduction, original, and the history of authenticity. This focus is closely related to another research area of the Center, which focuses on the visuality of everyday life, amateur practices, media, technology, and the professionalization of photography.
The interdisciplinary focus of the Center for Urban History is intended not only to study images (as objects) and visuality (as practices) from the perspective of historical, humanitarian, and social sciences, but also to develop expertise in this field. The Visuality and Historical Studies research area combines individual research projects and projects created by the Center's researchers in collaboration with technology and visual research experts both in Ukraine and abroad. The visual projects implemented in collaboration work with different disciplinary perspectives in the study of visual phenomena of the past and present: historical aspects of vision and visuality, visual sociology, humanities, and image sciences (Bildwissenschaft).
The research focus on visuality is being developed:
- Bohdan Shumylovych, research, teaching, curatorial work;
- Oleksandr Makhanets, research, development of the archival collections of the Urban Media Archive, exhibition projects;
- Anastasiia Kholyavka, research, development of the archival collections of the Urban Media Archive;
- Iryna Sklokina, research, curatorial work and processing of the archival collections of the Urban Media Archive;
- Viktoriia Panas, implementation of public history projects, exhibition projects;
- Ivanna Cherchovych, preparation of visual materials for education.
The results of the research within this focus were presented in the formats of exhibitions, lectures, digital projects, publications, training courses, conferences, and seminars.
Selected projects:
- Digital research project "City and Art on the Edge";
- Project "Un/Archiving Post/Industry";
Exhibitions and accompanying discussion programs:
- "processing. Exhibition-as-research of the Vil' Furgalo photo archive" and accompanying program (August-December 2020);
- "processing 2.0. Exhibition of photographs by Vil' Furgalo" and accompanying program (May-July 2021);
- "Society with a Movie Camera" and accompanying public program (August-December 2021);
Conferences and seminars:
- conference "To Mountains From the City: Imagining Carpathians in Arts and Culture" (June 17-18, 2021) and public program of the same name (March-June 2021);
- seminar "Digital Mapping and Historical Imagination" (May 17-18, 2018);
- seminar "Distance to Photography. Private Photoarchives and Their Roles in Ukrainian Institutions" (November 19-20, 2020).
Educational courses:
- series of online lectures "Urban Scraps: Space, Media and Visuality";
- online course by Bohdan Shumylovch "How to Understand and Read Visual Media?".
The topic of home movies and amateur films occupies a significant part of research and projects. Since 2016, the Center has been holding an annual international Home Movie Day (curated by Oleksandr Makhanets). The Center's Urban Media Archive stores and makes available one of the largest collections of digitized films in Ukraine and Eastern Europe. The topic of amateur cinema is at the center of another research focus.
Selected publications:
- Bohdan Shumylovych, Images in Spite of What? Russian War and Ukrainian Images. Dossier, Images and Objects of the Russo-Ukraine War (edited by Natasha Klimenko, Viktoria Sereda and Miglė Bareikytė), part of Prisma Ukraïna, Research Network Eastern Europe, Forum Transregionale Studien (project "Science Communication and Networks"), Berlin, Germany, P. 63-89, 2025;
- Oleksandr Makhanets, Moving Images Between Mariupol and Lviv. Dossier, Images and Objects of the Russo-Ukraine War (edited by Natasha Klimenko, Viktoria Sereda and Miglė Bareikytė), part of Prisma Ukraïna, Research Network Eastern Europe, Forum Transregionale Studien (project "Science Communication and Networks"), Berlin, Germany, P. 113-133, 2025;
- From the City to the Mountains: Imagining the Carpathians in Culture and Art edited by Bohdan Shumylovych and Joshua First. [online] St. Gallen: Online Open Access Journal of the Center for Governance and Culture in Europe University of St. Gallen, 2024;
- Sofia Dyak, Marta Kuzma, contribution to Collaboration. A Potential History of Photography by Ariella Aïsha Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, Laura Wexler (New York: Thames & Hudson, 2024), p. 225;
- Bohdan Shumylovych, Taras Nazaruk "Lviv Interactive" and Exploring Artists’ Spaces on a Digital Map, Colloquia Humanistica (2024), (interdisciplinary journal of humanities of the Institute of Slavic Studies of the Polish Academy of Sciences), special issue: Digital studies of culture in Central Europe (edited by Ondřej Daniel, Charles University, and Robert Kulmiński, University of Warsaw), 12 December 2024;
- Bohdan Shumylovych, Solid Television: Ukrainian Art of the 1990s and its Media. Television in Eastern European Literature, Art, Film and Theatre (Slavica TerGestina, 2023);
- Bohdan Shumylovych, Soviet Media After 1968: Visuality, Corporeality and Identity. Luisa Passerini and Dieter Reinisch (eds.), Performing Memory: Corporeality, Visuality, and Mobility after 1968, Making Sense of History Series, Volume XYZ, New York/Oxford: Berghahn Books, 2023;
- Bohdan Shumylovych, "Ukrainian Cinematic Culture During the War. IMAGES." The International Journal of European Film, Performing Arts and Audiovisual Communication, T.XXXIV, Nr. 43., 2023;
- Анастасія Холявка, Аматорська преса на заводах: про що і для кого писали робкори, Historians.in.ua, 15.10.2021;
- Анастасія Холявка, В об’єктиві ідеології. Фотографії Павла Кашкеля з Маріуполя, Lb.ua, 10.02.2021;
- Bohdan Shumylovych, "Fragmenting Soviet Mythologies: Romantic Imagery and Musical Films in Ukraine." Studies in Eastern European Cinema — Special Issue CfP: Popular Music and the Moving Image in Eastern Europe (Taylor & Francis Group), 1 March 2019, P. 111-128;
- Ірина Склокіна, Фотообрази Донбасу: створення, соціальне життя, архівування // Праця, виснаження та успіх: промислові мономіста Донбасу / М. Ільченко та ін.; за ред. В. Кулікова та І. Склокіної. Львів, 2018. С. 185-227;
- Bohdan Shumylovych, Ukrayinsʹki radyansʹki myuzykly ta perekodovuvannya radyansʹkykh mifiv [Ukrainian Soviet musicals and the de-coding of the Soviet myth]. Ukraiina Moderna, 15 August 2018;
- Bohdan Shumylovych, Vizualizuiuchy utopiiu: ideia komunistychnoji pratsi u radianskomu kino- I teleekrani 1959-1969 rokiv (na prykladi Lvova) [Visualizing Utopia: An Idea of Communist Labor on Soviet Film and TV screen in 1959-1969 (case of L’viv).] Historians, 27 May 2014;
- Bohdan Shumylovych, Kinokhroniky 1945 – 1955 rr. yak vyyav vizualʹnoyi kulʹtury radyansʹkoho Lʹvova: ideolohiya i tematyka [Film Chronicles of 1945-1955 as visual culture of Soviet Lviv: ideology and subjects] Mystetstvoznavchyi avtohraf [Art Historical Autograph]. — 2013. — Vyp. 6-8. — S. 174-190;
- Bohdan Shumylovych, Visualna Ironiia i Ukr-Such-Mystetstvo [Visual Irony and Ukrainian Contemporary Art], IRONY: Collected Essays (Centre for the Humanities, Ivan Franko National University of Lviv), Litopys Publishing House; Kyiv, Smoloskyp Publishing House, 2006.