"I Never Thought or Had a Dream of Being in Germany": Not Lost Melody or the Discovery of (In)Visible Folklore Archives

We invite you to Oksana Kuzmenko's lecture "'I Never Thought or Had a Dream of Being in Germany': Not Lost Melody Or The Discovery of (In)Visible Folklore Archives," organized as part of the public program  "Source as a Choice."

Can a historical source from the last century suddenly become a personal story and have socio-cultural significance? The answer to this question is definitely yes. In the lecture, we will focus on the sources stored in the archives of such institutions as the Rylsky Institute of Art Studies, Folklore and Ethnology, and The Ethnology Institute of the National Academy of Sciences of Ukraine, as well as the lecturer's personal archive. The materials represent one of the most interesting and still insufficiently studied aspects of folk art during the Second World War, namely "Ostarbeiter" folklore.

In her lecture, Oksana Kuzmenko will continue the conversation about the forced laborers of the Third Reich, whose history the researchers of various national and international projects once again draw attention to. For our analysis, we will use two types of sources: wartime handwritten albums/notebooks and their transcriptions from 1945-1946, and personal expedition audio recordings from fieldwork in 2001-2007, thus attempting to show how multigenre sources (songs, poems, memorial stories, diary records) can be valuable for constructing a holistic image of a person in captivity.

The lecture is organized around the following questions:

• What role did the song and poetry texts play in the lives of Ostarbeiters during and after the war? In what ways does the content of the "songs of captivity" resonate with the Ukrainian wartime present?
• How much do old documents reflect the lives, pain, and hopes of people who survived or experienced the war?
• What is the difference between wartime folk texts of songs and poetry and oral stories?

The lecturer will use the literature on ethnic stereotypes, emotions in culture, and folklore typology to propose one of the methods of studying war trauma and existential disruptions, which is based on the traditional poetic canon. This lecture will feature voices and melodies that remain the main evidence of (un)told stories.

This event is part of the public program for documenting the experience of violence and warfare, "Source as a Choice," organized by the Center for Urban History in cooperation with EHRI.

Credits

Cover Image: Forced laborers, Munich, from the collection of the NGO "After Silence" / archive index AS_1_162