This archive of interviews and conversations collected in the framework of various projects that have been implemented at the Center for Urban History from 2008 to today.
Performance “The Drayman and the King”
"... Someone said once that a theater manager is like a mom for actors, which is true indeed. You love them all like your own children... There were a great many performances in our theater, even though at certain points someone for some reason was not on good terms with someone else, but there’s one piece that will remain deeply etched in my memory until the end of my days – "The Drayman and the King". It was an amazing performance in terms of atmosphere... the atmosphere in the theater on that day was special. Something different was happening in the theater. When we had that performance on stage, people talked in a different manner, they look at each other differently. That performance had a uniting power. ..."
The Most Difficult Phase of an Artist’s Work
"... And the last phase (at least the way I see it) is the most terrifying one. I’m not sure about other set designers, but I always stock up on sedatives during the last week when everything comes together on stage: all the props and costumes must ‘be brought to a common denominator’; grooves must fit into grooves; you don’t want actors to step on their costumes. Moreover, it all must look beautiful from an artistic point of view and create a nice artistic image. ..."
Puppet Plays for Adults
"... The theater’s repertoire used to include "The Night Before Christmas"..., back in the 1970s – early 1980s. When the Leningrad Company came with their adult performances, they revived "The Night Before Christmas" with the same actors that used to play in it in the past. It was very interesting. There was another interesting piece – "Mam'zelle Nitouche". Special puppets were produced, set designers and choreographers from Leningrad and Kyiv invited. You might think, “Puppets and choreographer… And what?” But that’s why those performances were so interesting because they featured choreographic scenes and some compelling plasticity solutions. The young actors also produced a very nice performance for adults – "Catch the Moment of Luck". ..."
Creative Youth Club
"... And then a Creative Youth Club appeared in Lviv. The story behind it was as follows. Les Taniuk came to stage "Thus Huska Died". In the end, he was banned from staging the play, but he set up this Creative Youth Club headed by Mykhaylo Kosiv. I was a member of the presidium, and our task was to organize some sort of cultural soirees. Well, the first one was dedicated to Lenin, of course, like a ‘steam locomotive’. The second one was a serious piece – a soiree in honor of Lesya Ukrainka. And that was when I met Bohdan Stupka. ..."
Christmas Caroling at KGB
"... There were about fifteen of us. We would gather and split roles… a pseudo-vertep or something. We had a bell, and it was clear that we were not just walking on the streets, we were caroling. (…) Once we had an incident though. People really liked it when we came to carol. It was forbidden at that time, you know, but we dared anyway. So people would treat us to some booze, so we were quite wasted by the morning. Once, being drunk, we stopped by KGB to carol. It happened just like that. We were passing by KGB, and I said, “Let’s carol for them.” So we stopped by, opened the door, entered, but we were kicked out by the guard ..."
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